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Understanding How to work with LOG Gamma Curves, dynamic range and stops of light

From capturing vast dynamic range with LOG curves to reading exposure in “stops”. You’ll learn why ARRI, RED, Sony and Canon each roll their own LOG gammas, how a single stop doubles or halves light, and how monitors like SmallHD turn tricky waveforms into a color-coded safety net so you never blow out a sky or crush a shadow again.

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